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Sustainability · 6 min · 16 July 2024

Dyed mulch: what is actually in the colour

Coloured mulch has a reputation problem it mostly does not deserve, and a real risk that has nothing to do with the pigment.

Written by the RePallet USA yard team

Recycling yard with a steel bin full of broken pallet wood, a grinder conveyor, stacks of pallets and a forklift beyond
The last four per centEverything the sort deck rejected, on its way to the grinder. It leaves as mulch, bedding and boiler fibre — not as landfill.

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Outdoor pallet yard with mixed used pallets in natural, blue and red, stacked beside a warehouse under a cloudy sky

Intake

Mixed cores straight off a collection run. Every one of these gets a grader's four-way decision before it goes anywhere.

We dye mulch. Black, brown and red, on a colour line that runs a few hours a day through the season, from wood that was a pallet a fortnight earlier.

It is also the product we get asked the most sceptical questions about, and most of the scepticism is pointed in the wrong direction.

What the pigment is

Brown and red come from iron oxide. Black comes from carbon black. Both are mineral pigments, both are used across the construction and cosmetics industries, and neither is solvent-based.

They are applied as a water-based slurry as the fibre passes through the colour line, and they bind to the surface of the particle. There is no impregnation and no chemical reaction with the wood.

Are they a soil contaminant? Iron oxide is, essentially, rust. Carbon black is elemental carbon. Neither is inert in the sense of doing nothing at all, but neither is the thing you should be worried about.

What you should actually ask about

The feedstock. What was the wood before it was mulch?

A significant volume of coloured mulch in this country is ground from construction and demolition debris. C&D wood can and does contain pressure-treated lumber, and CCA-treated wood ground into a product that goes onto a garden bed is a genuine problem — that is arsenic-bearing material, and it does not stop being arsenic-bearing because it has been dyed brown.

That is the risk. Not the pigment. And it is almost never what people ask about, because 'what is in the dye' is an easier question to think of than 'where did the wood come from'.

Where ours comes from

Pallets we collected ourselves, on our own routes, from sites we know. Everything passes a manual sort deck before it goes anywhere near a grinder, and the sort deck pulls out anything painted, stained, pressure-treated or carrying a methyl bromide stamp.

That material — about 0.6% of everything that enters the yard by weight — goes to permitted disposal rather than into a product. We publish that number, and this is one of the reasons it exists.

The output crosses a magnetic separator that pulls nails and banding, then a screening deck. Playground-grade material gets an additional screening pass to remove fines and sharps.

GradeParticle sizeColourTypical use
Natural hardwood0.5″ – 2″UndyedBeds, vegetable gardens, general landscape
Dyed brown0.5″ – 2″Iron oxideCommercial landscaping
Dyed black0.5″ – 2″Carbon blackContrast planting, retail
Dyed red0.5″ – 2″Iron oxideMunicipal and commercial
Playground gradeScreened, de-finedUndyedPlay surfaces, trails

Our own advice

If it is going anywhere near edible crops, buy undyed natural hardwood. Not because the dye is dangerous, but because it is cheaper and it does exactly the same job. The colour is an aesthetic choice and there is no reason to pay for it in a vegetable bed.

For commercial landscaping where appearance is part of the specification, dyed is fine and the colour holds considerably better than undyed material, which greys within a season.

And keep any mulch off direct contact with stems and trunks — that is general good practice about moisture and rot rather than anything to do with what the mulch is made of.

Published 16 July 2024 in Sustainability. Written by the RePallet USA yard team in Columbus, Ohio. We correct posts when they turn out to be wrong and note the change rather than quietly editing.

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